Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945-1989 (Part 1).
In: British Art Studies, 2021-07-01, Heft 20, S. 44-91
academicJournal
Zugriff:
This feature takes the Slade School of Fine Art as the starting point for a global microhistory and reimagines ways of engaging with, co-constituting, and curating a research archive in pursuit of this endeavour. It consists of two parts: contributions in this issue of British Art Studiesfocus on the immediate post-war period, roughly 1945 to 1965, and a forthcoming second part will consider the 1960s to the 1990s. In this issue, the feature comprises a narrative history that interrogates the Slade's role as a contrapuntal node, and a companion archival feature that brings together materials from multiple institutional and personal archives in Asia and the United Kingdom (UK). Building upon Edward Said's use of the musical metaphor of contrapuntalism to address both the presence of empire in the metropolis and the construction of a transnational counterpoint with multiple voices, this project seeks to surface histories at the intersection of art education, imperialism, and decolonization. By using the Slade as a transversal line that connects multiple people and histories from Bangladesh, India, Pakistan, Hong Kong, Taiwan, Indonesia, Singapore, Nigeria, Sudan, Uganda, Britain and beyond, this essay proposes new ways of writing histories of contrapuntal--not multiple--modernisms, as well as understanding art in Britain itself as a product of empire. [ABSTRACT FROM AUTHOR]
Copyright of British Art Studies is the property of Paul Mellon Centre & the Yale Centre for British Art and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Titel: |
Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945-1989 (Part 1).
|
---|---|
Autor/in / Beteiligte Person: | Bruchet, Liz ; Tiampo, Ming |
Zeitschrift: | British Art Studies, 2021-07-01, Heft 20, S. 44-91 |
Veröffentlichung: | 2021 |
Medientyp: | academicJournal |
ISSN: | 2058-5462 (print) |
DOI: | 10.17658/issn.2058-5462/issue-20/tiampobruchet |
Schlagwort: |
|
Sonstiges: |
|